VOICE INTENSIVE
Adjudicators' Expectations
           Students in high school have opportunities to audition for All-State Choir and NATS. What do 
           the judges  expect? The more prepared you are, the less stress you will suffer. Amy Sager

College Review
          What questions should you ask about colleges? What are the best music schools? Nancy E. Harris
          and Becky Bradley


Concerts and Closing Party
         Group concerts, beginning and advanced, on Saturday with a closing party catered by Fete Denver

Dancing & Singing Auditions
          Learning common steps and performing patterns that are taught on the spot.  Nancy E. Harris and
          Becky Bradley


Dance Workshop
          Basic movement language is a valuable introduction or refresher about choreography. Students will               help  their groups create short dances to demonstrate to other participants. Chris Harris

Debriefings
          At the end of each day, during the snack period before private lessons, we will meet as a group to 
          summarize and journal what we have learned for the day. Nancy E. Harris and Becky Bradley

Group Rehearsals
          Members of the Intensive will be assigned to one of two groups which will rehearse together twice
          before the final concerts of each group. Nancy E. Harris and Becky Bradley

Impact of Visual Presentation
          This class will introduce students to basic communication theory and removing barriers by creating an
          event-appropriate image. This can include styles, colors, and texture choices. Nancy E. Harris

Music Theory
         Based upon understandings shown in a simple test at the audition, participants will be assigned to
         one of two different groups for studies in scales, intervals, and chord structures. Nancy E. Harris and
         Becky Bradley


Networking
         Life is about connections, no matter where we are in our process...a beginner, a novice, an advanced
         participant. Whether used for a future in vocal music or some other career choice, the basic
         communications concepts are valuable knowledge. Nancy E. Harris

Professional Behavior of a Performer
         Whether a beginner ore experienced performer, there are some rules that should be followed during
         the entire process of a production, from audition through closing night. These are frequently
         undelineated  but still expected. Be prepared! Nancy E. Harris and Becky Bradley

Resume Creation
         Professional-looking performance resumes can affect the impression of those doing the casting. 
         This is a how-to-do-it class, with homework attached. Kristi Siedow-Thomas

Makeup for Auditions and Stage
         How to apply basic makeup, skin care tips, and how to select colors. Nancy E. Harris

Relaxation Techniques: Yoga
         Stress, nerves, butterflies in the stomach, stage-fright--everyone suffers from fight-or-flight syndrome
         in a new frightening situation. Hatha yoga breathing exercises and stretches help us to gain control
         over our fears, turning them to supportive energy rather than debillitating. Nancy was a professional
         yoga teacher for over ten years earlier in her career, and uses these techniques with all of her
         students. Nancy E. Harris

Solfege, Sight-reading Melody & Rhythm
        Instrumentalists have a kinetic (touch, muscle connection) advantage that singers normally don't have
        that  helps them when sight-reading. Solfege (Do, Re, MI, Fa, etc.) is a technique that aids singers to
        sight-read melody when that "advantage" is not there. Rhythm is the most difficult part of 
reading notes
        and drills and games will help students to improve. Becky Bradley

Using International Phonetic Alphabet for Foreign Languages
        IPA makes pronunciation of foreign languages much easier. It is also used in vowel modification 
        for more resonant and beautiful singing. Nancy E. Harris

Vocal Pedagogy & Health
         Understanding the bio-mechanics of sound production is as importatnt to a singer as knowing which
         strings to play matter to a guitarist or violinist. When we understand how it is done in the easiest way, 
        singing becomes more fun to do and more beautiful to others. We can also protect ourselves from 
        damage if we know the potential causes. Nancy E. Harris
                                                  LEVEL I CLASS DESCRIPTIONS: